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	<title>Audrey Baldwin - Artist &#38; Curator</title>
	<link>https://audreybaldwin.art</link>
	<description>Audrey Baldwin - Artist &#38; Curator</description>
	<pubDate>Mon, 11 May 2026 21:30:46 +0000</pubDate>
	<generator>https://audreybaldwin.art</generator>
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		<title>Home - all projects</title>
				
		<link>https://audreybaldwin.art/Home-all-projects</link>

		<pubDate>Fri, 22 Apr 2022 01:52:25 +0000</pubDate>

		<dc:creator>Audrey Baldwin - Artist &#38; Curator</dc:creator>

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	<item>
		<title>About</title>
				
		<link>https://audreybaldwin.art/About</link>

		<pubDate>Fri, 22 Apr 2022 01:52:26 +0000</pubDate>

		<dc:creator>Audrey Baldwin - Artist &#38; Curator</dc:creator>

		<guid isPermaLink="true">https://audreybaldwin.art/About</guid>

		<description>ABOUT


	Audrey Baldwin is a Zimbabwean born, Aotearoa New Zealand raised artist, curator, and event producer. 
She is currently based in Oxford in the United Kingdom.

	
She graduated from Ilam School of Fine Arts, University of Canterbury in 2009 and has shown in galleries around New Zealand as well as in Japan, India, Zimbabwe, Australia, and the UK.&#38;nbsp;Audrey works in a range of scales; from intimate one on one performances to large scale public art events. She has worked with both grass roots and community led organisations as well as institutions.
Her practice has operated in a wide range of spaces from post-disaster gravel strewn vacant lots to white walled gallery spaces, pop ups in shops, pubs and museums to art and literary festivals indoors and out.


	

Her work often veers into the absurd: sometimes confrontational, increasingly playful, and defiantly hopeful in the face of rising fascism in late-stage capitalism.
Audrey works as a freelance curator, producer and events coordinator. Do you have an exhibition, project or event that needs a creative, energetic and passionate problem solver? Get in touch!


	
	CONTACTaudrey.baldwin@live.com
FOLLOW
 Audrey on Instagram
	

COLOPHONWebsite built by Carmel Rowden using Cargo. &#38;nbsp;&#38;nbsp; 

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	<item>
		<title>Artist CV</title>
				
		<link>https://audreybaldwin.art/Artist-CV</link>

		<pubDate>Fri, 22 Apr 2022 01:52:26 +0000</pubDate>

		<dc:creator>Audrey Baldwin - Artist &#38; Curator</dc:creator>

		<guid isPermaLink="true">https://audreybaldwin.art/Artist-CV</guid>

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ARTIST CV
Artist, curation and events


	Curatorial, production &#38;amp; arts employment2025

OVADA
Oxford, England
Engagement CoordinatorAudience engagement, public outreach, event and exhibition production, gallery administration, Associate Programme Coordinator &#38;amp; other tasks.
2024

Sanctuary 
Ōtautahi Creative Spaces
Curator and producer Co-design and run a ‘creative takeover’ of the central library over 6months with a community of artists who experience mental distress. Exhibition, activations, events &#38;amp; workshops.
2023 
WORD Christchurch
Programmer at Large &#38;amp; Community Projects Coordinator
(Artist) Life School
Manager/producer Education seminars for emergng artists, in collaboration with The Physics Room &#38;amp; Toi Ōtautahi

2022


Ignite: First Fridays TimaruConsultant
Audio Description workshops with Judith JonesProduction of event presented by The Physics Room Contemporary Art Space with Teece Museum of Classical AntiquitiesWORD Christchurch
Community Projects Coordinator
Te Mana Ora: Art Bites, Pūtahitanga
Staff wellbeing through arts project series
Isolation Hotel by Heather Straka
Canterbury Museum &#38;nbsp;Guest public programme curator2021

WORD Christchurch: New Regent St pop up Festival &#38;nbsp;Curator, producer, public engagement coordinator

2020
Shared Lines: Pūtahitanga Curator, producer

Shared Lines: Aotearoa Curator, producer, research assistant, featured artist

2019

Shared Lines: Kaikōura Producer, featured artist


2018-2022The Physics Room Contemporary Art SpaceAccess &#38;amp; public programmes coordinator


2019–2020 &#38;nbsp; &#38;nbsp; Glitterbox Pursuits Co-director, partner


2017
Shared Lines: Wellington Production assistant, featured artist
2016CoCA Centre of Contemporary Art Toi MorokiŌtautahi ChristchurchCuratorial intern for relaunch of CoCA

2014 - 2017
First Thursdays Ōtautahi Christchurch Curator, producerWELCOME (2017)DREAMSCAPES (2017)LIFE AQUATIC (2016)ABRACADABRA (2016)WELCOME TO THE JUNGLE (2015)PAPER, SCISSORS, ROCK ‘N ROLL (2015)LOST IN SPACE (2015)
STARS OF SYDENHAM (2014)2013 – 2017&#38;nbsp; &#38;nbsp; The Social Artist Collective Co-administrator &#38;amp; organiser
2010 – current &#38;nbsp; &#38;nbsp; Dr Sketchy’s Anti Art School: Christchurch branch Co-director &#38;amp; producer



	Projects, exhibitions &#38;amp; events
2025 
SNAPPYCou Cou Curation, OVADA
Oxford, England

Deja Vu
OVADACurated group exhibition

Oxford, England
2024

Xmas Oracle
Online live interactive performance
Toi Ōtautahi, Ōtautahi Christchurch

2023 2024
Performance Art Week Aotearoa&#38;nbsp;
Wellington
Art Chemist: Ngāmotu

ReImagine Festival, New Plymouth

THIS IS FINE, EVERYTHING’S FINESolo exhibition 
Ashburton Art Gallery
Art Chemist: TāmakiAuckland Pride Festival, Auckland

2022

Art Chemist: Whakatū
Nelson Arts Festival, Nelson

LippyvidCollaboration with Jennifer K Shields As part of Perilous: unheard stories from the collection
Christchurch Art Gallery Te Puna o Waiwhetū




ZONTA Ashburton Female Art Award Winner for Art Chemist
Ashburton Art Gallery




The Great Waiheke NudePerformance painting with Julia Holden as part of A Day at the Beach exhibitionWaiheke




Art Chemist: Tahuna Te Atamira, Queenstown



Art Chemist: Poneke
Performance Arcade Wellington

2021Art Chemist
Ōtautahi&#38;nbsp;ChristchurchCreativity is TransformationEducation workshop, Christchurch Art Gallery&#38;nbsp;Te Puna o Waiwhetū2019Hobble
Tiny Festival at CoCA 
Ōtautahi ChristchurchGallery Guide
Christchurch Art Gallery&#38;nbsp;Te Puna o WaiwhetūPublic programme event

Timely Additions
Eastern Southland Gallery
GoreTouch-Stones
 SCAPE Public Art 2019Winter Wander 
8 day arts festival in the central city
Ōtautahi ChristchurchShared Snood 
Shared Lines: Kaikōura

Polaris
Trocadero Arts Space, Melbourne2018Morni Hills Performance Art Biennial
Chandigarh, India

Shopop – Until Works EndEnliven Places Project for Christchurch City Council

Millennial Fortune Telling 
Nostalgia Festival, Ōtautahi ChristchurchShared Snood 
Ōtautahi Korerotia,&#38;nbsp;Ōtautahi Christchurch6-week community focused arts project

2017

Shared Lines: Wellington
Thistle Hall, Pōneke WellingtonSeason 2017, SCAPE Public Art 
Making Space – Toi Moroki CoCA Centre of Contemporary Art, Ōtautahi ChristchurchBreak Me Harder
RM Gallery, Tāmaki Makaurau AucklandThe Mayfield Residence
Ashburton Art Gallery

2016
Performance Art and Identity: Youth Performance Workshop – CoCA, Ōtautahi ChristchurchAn ABCERD Egress 
Chambers, Ōtautahi ChristchurchExhibition with Iain Cheesman

Event Horizon
SoFA Gallery, Ōtautahi ChristchurchMorni Hills Performance Art Biennial
Chandigarh, IndiaParticipating artist and exhibitor


 2015
Movement Art Practice research residency - Ōtautahi Christchurch UnCAGed: New works by Christchurch Artists
 Ōtautahi Christchurch Curator and artist in group exhibition

Boom Limbo
First Floor Gallery Harare, Zimbabwe
Artist residency and performance

Ell oh Ell
Fresh and Fruity, Dunedin

 2014To and Fro
Artspace Aotearoa, AucklandGroup show and residency

	Commentary &#38;amp; reviews
2024Resetting the CoordinatesAn anthology of performance art in Aotearoa New ZealandEdited by Christopher Braddock, Ioana Gordon-Smith, Layne Waerea and Victoria Wynne-Jones2024Contributed a chapter with Khye Hitchcock on Performance Art in Post-Quake Christchurch2023

Stratford Press
9 Oct, 2023
Ilona Hanne
The Art Chemist gives a prescription for art as part of Taranaki Arts Festival - Reimagine


Art New Zealand 
Number 186/Winter 2023, pg54Grant Banbury
Review of THIS IS FINE, EVERYTHNG’S FINE&#38;nbsp;

She’s so fineArtbeat and Metropol Magazine - Warren Feeney&#38;nbsp;
2022
Art Chemist prescribing arts at Nelson Arts FestivalRNZ - Interview with Nathan Rarere
Art Chemist - A prescription for Aotearoa
The Big Idea
The power of art and connection explored during Nelson Arts Festival
Stuff - Frances Chin



2021

On defying convention
The Big Idea - Mark Amery’s Lowdown



Prescribing art for wellbeingArt Chemist - All Right newsletter


Art ChemistThe Press/Stuff
 Art ChemistArt Beat
 
2018
Who got the gig: the aggressively gentle Audrey BaldwinThe Big Idea – Emanuella De Ruiter


2017
 Outside the BoxThe Big Idea – Lucy Ovenden 


Matchmaker for Christchurch Art, Business and CommunityThe Press – Joel Ineson



Conservative Christchurch? Meet the Artists Shattering the MouldAvenues Magazine - Kim Newth 

 The State of the Arts
The Press - Warren Feeney
 
&#38;nbsp;Op Shop Paradise
Eye Contact – Warren Feeney
2016Swimming Pools and Waves
Art News – Megan Dunn&#38;nbsp;Event Horizon Exhibition…The Press - Warren Feeney 

2015
Christchurch Artists Star in UnCaged
The Press – Vicky Anderson 
 Mothers: A Gaby Montejo PerformanceFreerange Press


2014

Creative Thinkers of Chch
Pantograph Punch – Brie Sherow 
 In response to the exhibition to and froArtspace Aotearoa - Victoria Wynn-Jones


 2013
 Kissing BoothChristchurch: The Transitional City, Part IV pages 356-357 


2012
Post Object and Conceptual ArtTe Ara The Encyclopaedia of New Zealand


Writing by Audrey Baldwin

2018ResponseMovement Art Practice - Innocent Bystanders


&#38;nbsp;Art review and Agony Art (with Jennifer Shields)
HAMSTER art magazine online copies Audrey Baldwin: author and regular contributorArt Beat – Monthly art newspaper 



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		<title>Trace (2026) </title>
				
		<link>https://audreybaldwin.art/Trace-2026</link>

		<pubDate>Mon, 11 May 2026 21:30:46 +0000</pubDate>

		<dc:creator>Audrey Baldwin - Artist &#38; Curator</dc:creator>

		<guid isPermaLink="true">https://audreybaldwin.art/Trace-2026</guid>

		<description>
	Trace, 2026
Blindfold, marker pens, paper

Photography: István Kovác


	HELPPerformance evening by&#38;nbsp;LAPER (Live Art and Performance Group), curated by 
Dr. Veronica Cordova de la Rosa 
in collaboration 
with Dr. Peta Lloyd &#38;nbsp;


	Hundred Years Gallery, LondonI invite the audience to draw an image of the last time they helped someone onto a strangers back with their fingers. Each person does their best to communicate the same sketch through touch - creating a chain of storytelling through touch and memory.







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		<title>Holdup (2025) </title>
				
		<link>https://audreybaldwin.art/Holdup-2025</link>

		<pubDate>Fri, 03 Oct 2025 16:30:25 +0000</pubDate>

		<dc:creator>Audrey Baldwin - Artist &#38; Curator</dc:creator>

		<guid isPermaLink="true">https://audreybaldwin.art/Holdup-2025</guid>

		<description>
	Holdup, 2025
Balaclava, beading wire and crimps, approximately 26,000 glass beads

Photography: Stu Allsopp

	Snappy &#38;nbsp;
Performance event curated by Dr Veronica Cordova de la Rosa of LAPER and Clare Carswell
with Peta Lloyd of COU COU


	OVADA, Oxford
I wear a modified balaclava. Long strands of red glass beads obscure my eyes and mouth, dragging along the floor. The room becomes entangled: bodies bound together by tension as I navigate blindly through the space.&#38;nbsp; 
This is a work of mourning, anguish and resistance.&#38;nbsp;



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		<title>Every Day Facts (2025) </title>
				
		<link>https://audreybaldwin.art/Every-Day-Facts-2025</link>

		<pubDate>Sun, 28 Sep 2025 10:15:12 +0000</pubDate>

		<dc:creator>Audrey Baldwin - Artist &#38; Curator</dc:creator>

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		<description>
	Every Day Facts, 2025

Toothbrush, toothpaste, white singlet, blood, printed facts about the genocide in Gaza
Performance photos: Wendy Aldiss


	Deja Vu
A durational performance on the banality of the livestreamed genocide in Palestine and commentary on silence, censorship and complicity

	OVADA, Oxford, UK



	
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		<title>Avoidant Attachment (2023)</title>
				
		<link>https://audreybaldwin.art/Avoidant-Attachment-2023</link>

		<pubDate>Fri, 01 Dec 2023 00:22:22 +0000</pubDate>

		<dc:creator>Audrey Baldwin - Artist &#38; Curator</dc:creator>

		<guid isPermaLink="true">https://audreybaldwin.art/Avoidant-Attachment-2023</guid>

		<description>
	Avoidant Attachment, 2023

Temporary tattoos, baby oil, coconut oil, exfoliation gloves and accessories, water, baby wipes, towel, facecloths

Photography:&#38;nbsp;Robyn Jordaan

 When long term intimacy and goal-setting requires trust in an imagined future, but all your experience points to impermanence, how do you commit? To a goal, to a partner, or to something as simple as a permanent body modification? 
Avoidant attachment refers to a psychological and emotional trauma response, where one avoids emotional closeness and dismisses the importance of intimate relationships. Audrey is part of the generation that had a relatively settled early childhood, but then collectively experienced acts of terrorism, a global financial crash, major natural disasters, and a global pandemic as their adulthood unfurled. 



	Performance Art Week AotearoaSocialised by the rise of the internet as a visual cultural accelerant, and taught to think of ‘self’ as a marketable product in late stage capitalism. In 2023, the rise of climate induced disasters is undeniable and a constant reminder of the precarity of the future. Audrey Baldwin (still) doesn’t have a tattoo.

The hegemonic significance of getting permanently inked has evolved rapidly over the past century. White (capitalist) culture has moved blithely on from its history of puritanical, race and class based judgementality, to assimilation, and subsequent embracing of tattoo as a celebrated artform. Ink, for those without cultural tattooing traditions, is often another means of contribution to one’s personal brand under late capitalism. 


 




	Adam Art Gallery Te Pataka Toi, WellingtonThis durational piece explores the absurdity and sisyphean nature of contemporary conditions. The myths of individuality and self-reliance are exposed as Audrey invites the audience to assist in the application, and subsequent removal of, temporary tattoos.

Ready-made symbols bought in bulk from Wish. Skulls, roses, daggers, and wolves – straight out of the European canon; memento mori mass produced til arguably meaningless. Significant cultural imagery, stolen and synthesised by capitalism into ‘abstract’ ‘tribal’ geometrics of the 1990s. The cognitive dissonance hums with discomfort. 
This act of strangers hands pressing on tattoos on her naked body and then scrubbing them off – in person and in real time – offers an invitation to share vulnerability, albeit boundaried.Text: Khye Hitchcock 
 




	
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&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/451f7c09d3a54056765d466106650224dc41d1480080795d7173f484654d2cc0/AA6-pawa.jpg" data-mid="198300369" border="0"  src="https://freight.cargo.site/w/1000/i/451f7c09d3a54056765d466106650224dc41d1480080795d7173f484654d2cc0/AA6-pawa.jpg" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/73c5a7863f18ab39bfb83572eba3b1f3b7e225868d62f92a06378746c4ea340e/AA4-pawa.jpg" data-mid="198300367" border="0"  src="https://freight.cargo.site/w/1000/i/73c5a7863f18ab39bfb83572eba3b1f3b7e225868d62f92a06378746c4ea340e/AA4-pawa.jpg" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c4551049fcbb2c5dc1615f33528a4ac28c57244857dbf531fc040a13aab66385/AA8-pawa.jpg" data-mid="198300371" border="0"  src="https://freight.cargo.site/w/1000/i/c4551049fcbb2c5dc1615f33528a4ac28c57244857dbf531fc040a13aab66385/AA8-pawa.jpg" /&#62;

&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/2264ab3739d1da6a706b417c131d793bc00dc8507c2c3af8572d9e1253c04583/AA9-pawa.jpg" data-mid="198300372" border="0"  src="https://freight.cargo.site/w/1000/i/2264ab3739d1da6a706b417c131d793bc00dc8507c2c3af8572d9e1253c04583/AA9-pawa.jpg" /&#62;&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/cb81b19ca17720f11c389c1900bd7fff001fea7ac97ac8029ce270254376c5f6/AA11-pawa.jpg" data-mid="198300374" border="0"  src="https://freight.cargo.site/w/1000/i/cb81b19ca17720f11c389c1900bd7fff001fea7ac97ac8029ce270254376c5f6/AA11-pawa.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/97abc25ffd9231f5ae8545f557eadf2393ecd0a103e58250d5677dc3409af0fb/AA12-pawa.jpg" data-mid="198300375" border="0"  src="https://freight.cargo.site/w/1000/i/97abc25ffd9231f5ae8545f557eadf2393ecd0a103e58250d5677dc3409af0fb/AA12-pawa.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/1e7fad97bb570f1b56189390765146fd2a27e4097e8dbd4378234b6edb62cf29/AA13-pawa.jpg" data-mid="198300376" border="0"  src="https://freight.cargo.site/w/1000/i/1e7fad97bb570f1b56189390765146fd2a27e4097e8dbd4378234b6edb62cf29/AA13-pawa.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/2ebd88ebc69c87873fa0b40e7f7cc28bf264057fe2c3e3d7c3ca88abcbbe5b56/AA16-pawa.jpg" data-mid="198300380" border="0"  src="https://freight.cargo.site/w/1000/i/2ebd88ebc69c87873fa0b40e7f7cc28bf264057fe2c3e3d7c3ca88abcbbe5b56/AA16-pawa.jpg" /&#62;


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	<item>
		<title>#girlboss #gatekeep #gaslight (2023)</title>
				
		<link>https://audreybaldwin.art/girlboss-gatekeep-gaslight-2023</link>

		<pubDate>Mon, 02 Oct 2023 07:29:14 +0000</pubDate>

		<dc:creator>Audrey Baldwin - Artist &#38; Curator</dc:creator>

		<guid isPermaLink="true">https://audreybaldwin.art/girlboss-gatekeep-gaslight-2023</guid>

		<description>
	#girlboss #gatekeep #gaslight 2023
Installation, pedestal fans, customised ribbon, tinselA high camp, femme coded installation of oscillating pedestal fans, painted hot pink and billowing tinsel and ribbons emblazoned with common statements commonly assosciated with grind culture and toxic positivity.



Photography: 
Courtesty of Ashburton Art Gallery

	THIS IS FINE, EVERYTHING’S FINE
A list of the statements printed on ribbons:

RISE &#38;amp; GRIND 
POSITIVE VIBES ONLY
NO PAIN, NO GAIN
MANIFEST YOUR REALITY
WINNERS DON'T QUIT
GO HARD OR GO HOME
HAVE YOU TRIED YOGA?
POOR IS A MINDSET
WHAT'S YOUR EXCUSE?
POSITIVE GRINDSETTHEY CAN ONLY HURT YOU IF YOU LET THEMLIVE LIFE LIKE A CAMERA IS ON YOU 24/7IN IT FOR THE OUTCOME, NOT THE INCOMEWHATEVER DOESN'T KILL YOU MAKES YOU STRONGER


	Ashburton Art GalleryYOU CAN'T LOVE ANYONE IF YOU DON'T LOVE YOURSELFLIFE IS 10% WHAT HAPPENS TO YOU &#38;amp; 90% HOW YOU REACTGOD DOESN'T GIVE YOU ANYTHING YOU CAN'T HANDLEWE'VE ALL GOT THE SAME 24HRS AS BEYONCEIF YOU'RE NOT LIVING ON THE EDGE, YOU'RE TAKING UP TOO MUCH SPACEGIRLBOSS GASLIGHT GATEKEEP
YOUR VIBE ATTRACTS YOUR TRIBE
MONEY CAN'T BUY HAPPINESS
YOUR NETWORK IS YOUR NET WORTH
EVERYTHING HAPPENS FOR A REASON
IF YOU BELIEVE IT YOU CAN ACHIEVE IT
NOTHING WORTH HAVING COMES EASY
DREAMS DON'T WORK UNLESS YOU DO
IT'S ALL ABOUT POSITIVE MINDSET
IT'S NOT WORK IF YOU LOVE YOUR JOB
SLEEP WHEN YOU'RE DEAD&#38;nbsp; 



	&#60;img width="6581" height="2874" width_o="6581" height_o="2874" data-src="https://freight.cargo.site/t/original/i/f465321edff8868fd8ff6a6dbffd099a228b4cb2eddb100a0d30ccd516591ccb/THIS-IS-FINE-EVERYTHINGS-FINE-10-install-web-crop-2.jpg" data-mid="192426261" border="0"  src="https://freight.cargo.site/w/1000/i/f465321edff8868fd8ff6a6dbffd099a228b4cb2eddb100a0d30ccd516591ccb/THIS-IS-FINE-EVERYTHINGS-FINE-10-install-web-crop-2.jpg" /&#62;
&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/9677dcf1c4cc2b8c68c4ebf7a5588bf25ed023aa6e80f838b5076c0f6fec9fea/THIS-IS-FINE-EVERYTHINGS-FINE-1-fans-web.jpg" data-mid="192426100" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/9677dcf1c4cc2b8c68c4ebf7a5588bf25ed023aa6e80f838b5076c0f6fec9fea/THIS-IS-FINE-EVERYTHINGS-FINE-1-fans-web.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="6578" height="4385" width_o="6578" height_o="4385" data-src="https://freight.cargo.site/t/original/i/1be25dadd6a000d98ecb37d5f4582ba65a745ef2b59a71f9a588299498cd6390/THIS-IS-FINE-EVERYTHINGS-FINE-6-web.jpg" data-mid="192426102" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/1be25dadd6a000d98ecb37d5f4582ba65a745ef2b59a71f9a588299498cd6390/THIS-IS-FINE-EVERYTHINGS-FINE-6-web.jpg" /&#62;&#60;img width="4096" height="1834" width_o="4096" height_o="1834" data-src="https://freight.cargo.site/t/original/i/d44e8d10a78d9d5fc26614cb43de5a0353da1637e6e784dfb3e713f4a772798b/banner-img.jpg" data-mid="192426595" border="0"  src="https://freight.cargo.site/w/1000/i/d44e8d10a78d9d5fc26614cb43de5a0353da1637e6e784dfb3e713f4a772798b/banner-img.jpg" /&#62;
&#60;img width="6695" height="3601" width_o="6695" height_o="3601" data-src="https://freight.cargo.site/t/original/i/6b95ce98ad3124f249a4259c2397db17e1b9c416d2837f551892b7073c272d96/THIS-IS-FINE-EVERYTHINGS-FINE-crop.jpg" data-mid="192426252" border="0"  src="https://freight.cargo.site/w/1000/i/6b95ce98ad3124f249a4259c2397db17e1b9c416d2837f551892b7073c272d96/THIS-IS-FINE-EVERYTHINGS-FINE-crop.jpg" /&#62;

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	</item>
		
		
	<item>
		<title>KPI's (2023) </title>
				
		<link>https://audreybaldwin.art/KPI-s-2023</link>

		<pubDate>Mon, 13 Mar 2023 10:42:21 +0000</pubDate>

		<dc:creator>Audrey Baldwin - Artist &#38; Curator</dc:creator>

		<guid isPermaLink="true">https://audreybaldwin.art/KPI-s-2023</guid>

		<description>
	KPI’s, 2023
Three Channel video installation from performance

A durational performance where I pushed ten soccer goals around an empty soccer field in an arbitary choreography, while wearing office attire.
KPI’s stands for Key Performance Indicators, often used in corporate speech and employment reviews.
The work comments on our often sisyphusian attempts to navigate “shifting goalposts” (especially during Covid19) and how we view and value labour.
&#38;nbsp;Videography: Laurent Youmndingouetmoun

	THIS IS FINE, EVERYTHING’S FINE


	Ashburton Art Gallery


	&#38;nbsp;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c8302d4ecefdc5196dc6f8d3b47272e4eeccb04fca385ae91ae8d3b947e428c0/Close-Ups-Still-C013-01.jpg" data-mid="192423409" border="0" data-scale="32" src="https://freight.cargo.site/w/1000/i/c8302d4ecefdc5196dc6f8d3b47272e4eeccb04fca385ae91ae8d3b947e428c0/Close-Ups-Still-C013-01.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/647cfa6d58708c77b9a74de8a906088115771395e84852f0a9ba972b354ecd9e/Close-Ups-Still-C011.jpg" data-mid="192423408" border="0" data-scale="35" src="https://freight.cargo.site/w/1000/i/647cfa6d58708c77b9a74de8a906088115771395e84852f0a9ba972b354ecd9e/Close-Ups-Still-C011.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7eee25864164feac827dea442501553e51ae509d4b35501f0d8921aed757641b/Close-Ups-Still-C013-02.jpg" data-mid="192423410" border="0" data-scale="32" src="https://freight.cargo.site/w/1000/i/7eee25864164feac827dea442501553e51ae509d4b35501f0d8921aed757641b/Close-Ups-Still-C013-02.jpg" /&#62;&#60;img width="6292" height="4195" width_o="6292" height_o="4195" data-src="https://freight.cargo.site/t/original/i/19fcab37720556fb0b45f977cee87014d9008d9117e836ab85cba6d5fd6d114c/THIS-IS-FINE-EVERYTHINGS-FINE-6-2-KPI-web.jpg" data-mid="192425859" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/19fcab37720556fb0b45f977cee87014d9008d9117e836ab85cba6d5fd6d114c/THIS-IS-FINE-EVERYTHINGS-FINE-6-2-KPI-web.jpg" /&#62;&#60;img width="1357" height="637" width_o="1357" height_o="637" data-src="https://freight.cargo.site/t/original/i/7cf766aee9bc84bf62bfeeb36cd3041f5a8568ad363ebc3f63b02a54eea7062c/still1-feet.png" data-mid="192426644" border="0"  src="https://freight.cargo.site/w/1000/i/7cf766aee9bc84bf62bfeeb36cd3041f5a8568ad363ebc3f63b02a54eea7062c/still1-feet.png" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Net Worth (2023)  </title>
				
		<link>https://audreybaldwin.art/Net-Worth-2023</link>

		<pubDate>Mon, 13 Mar 2023 10:51:48 +0000</pubDate>

		<dc:creator>Audrey Baldwin - Artist &#38; Curator</dc:creator>

		<guid isPermaLink="true">https://audreybaldwin.art/Net-Worth-2023</guid>

		<description>
	Net Worth, 2023
Digital photograph triptych

A series of photographs touching on how the societal worth, especially of women, is often wrapped up in notions of weight, desireability and productivity.&#38;nbsp;
&#38;nbsp;Photographer: Federico Corradi (colour) and Jamie Price (B&#38;amp;W)

	THIS IS FINE, EVERYTHING’S FINE
	Ashburton Art Gallery



	&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/ffd70154946313a3ceb8654afcb877d4491f74ea4abd6136eac87504b65629d4/ASP00077.jpg" data-mid="171452245" border="0"  src="https://freight.cargo.site/w/1000/i/ffd70154946313a3ceb8654afcb877d4491f74ea4abd6136eac87504b65629d4/ASP00077.jpg" /&#62;
	&#60;img width="5555" height="3708" width_o="5555" height_o="3708" data-src="https://freight.cargo.site/t/original/i/d1b74768d1b077107bb019922665af782f9cc9d6bdf57c383c7921ad148fcccb/ASP00091-Edit.jpg" data-mid="171452244" border="0"  src="https://freight.cargo.site/w/1000/i/d1b74768d1b077107bb019922665af782f9cc9d6bdf57c383c7921ad148fcccb/ASP00091-Edit.jpg" /&#62;
	&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/bb14a6948cf4ea0cccb9320ae8a872a6c51f1c493e1775e83e3de17423ae89fe/ASP00102.jpg" data-mid="171452248" border="0"  src="https://freight.cargo.site/w/1000/i/bb14a6948cf4ea0cccb9320ae8a872a6c51f1c493e1775e83e3de17423ae89fe/ASP00102.jpg" /&#62;

	
	
	
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